Adrian Frutiger – Typefaces poster design or crops introduced and transformed

or crops introduced and transformed by our hand

collages and drawings

These discursive threads come together to form a vital sourcebook for rethinking our relationships to materials

Mariona Dalmau

Der Band Musik sehen fragt: Welche Rolle spielt die Sichtbarkeit für das Erleben von Musik

Adrian Frutiger – Typefaces poster design or crops introduced and transformedThe Swiss type designer Adrian Frutiger decisively influenced the international creation of typefaces after 1950. His Univers typeface and the machine readable font OCR B are milestones, as is his type for the Paris airports, which evolved into the Frutiger typeface. All set new standards for signage types. In all, he created some fifty types, including Ondine, Mridien, Avenir, and Vectora. Based on conversations with Frutiger himself and on extensive