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The current issue is partially inspired by various past ‘editorial’endeavours
Und die Belohnung lässt nicht auf sich warten
Rafael de Cardenas
photographer Wolfgang Tillmans
Ana Luisa Soares and Ahmed Belkhodja
Rehearsing Hospitalities dance The current issue is partiallyUpon what kind of power structures of knowledge and knowing are contemporary art and artistic institutions dependent? Do practitioners in the art field reproduce oppressive Western epistemic paradigms through artistic practices and institutional structures, moreand if so, is there space for emancipatory ways of knowing? What are the ways that intersectional subjectivities open up new epistemic processes within the artistic field? These are among the
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